Look for it…

“All this you surely will see, and much more, if you are prepared to see it, -if you look for it.  Otherwise, regular and universal as this phenomenon is, whether you stand on the hill-top or in the hollow, you will think for threescore years and ten that all the wood is, at this season, sear and brown.  Objects are concealed from our view, not so much because they are out of the course of our visual ray as because we do not bring our minds and eyes to bear on them; for there is no power to see in the eye itself, any more than in any other jelly.  We do not realize how far and widely, or how near and narrowly, we are to look.  The greater part of the phenomena of Nature are for this reason concealed from us all our lives.”

-Henry David Thoreau-

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“More Painted Leaves″
Technical details: Canon EOS 5D Mark II camera, EF24-105mm f/4L IS USM @ 75mm, ISO 100,  f/11, 1/13 sec

Painted Leaves

“October is the month of painted leaves.  Their rich glow now flashes around the world.  As fruit and leaves and the day itself acquire a bright tint just before they fall, so the year near its setting.  October is its sunset sky; November the later twilight.”

-Henry David Thoreau-

More and more I’m beginning to appreciate HDT’s recurring theme of matching the development and maturity of flowers, fruits and even leaves and shoots of plants together as analogous cycles in nature.  This is an idea he writes about in several pieces.  In the passage above, he takes it a step further and shows the similarities the course of seasons within the year has with the progression of a single day.  Simple, but I like it.  The colors and changes so dramatic in spring and fall are like those of sunrise/sunset.  The high sun and heat of the day are so like a long, hot temperate summer, while winter is of course equated to night.  Of course, this metaphor only makes sense in the temperate zones of our planet, but I like it.

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“Painted Leaves″
Technical details: Canon EOS 5D Mark II camera, EF24-105mm f/4L IS USM @ 100mm, ISO 100,  f/13, 1/10 sec

One Grand Palimpsest

“When a page is written over but once it may be easily read; but if it be written over and over with characters of every size and style, it soon becomes unreadable, although not a single confused meaningless mark or thought may concur among all the written characters to mar its perfection.  Our limited powers are similarly perplexed and overtaxed in reading the inexhaustible pages of nature, for they are written over and over uncountable times, written in characters of every size and colour, sentences composed of sentences, every part of a character a sentence.  There is not a fragment in nature, for every relative fragment of one thing is a full harmonious unit in itself.  All together form the one grand palimpsest of the world.”

-John Muir-

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“One Grand Palimpsest″
Technical details: Canon EOS 5D Mark II camera, EF24-105mm f/4L IS USM @ 45mm, ISO 100,  f/14, manual blend of two exposures

Crop or not to Crop?

This post is likely only to interest photographers, particularly wildlife photographers, if even them.  So, if you are not in this category go ahead and have a look at this mediocre photograph of an absolutely stunning bird – the Cedar Waxwing – having fun with its food (what I believe are the berries of the green hawthorn).  Go ahead, I assure you.  You will not care a bit about what I’m about to ramble on about.

I’m always confused when trolling around the nature photography forums, as I sometimes do, when I see a photographer presenting their work proudly claim that “this image has not been cropped in any way.”  So what?  I could close this by simply saying that a viewer of a photograph doesn’t give a damn what you did to make the final image.  Nor should they!  The end product-the photograph, should stand by itself and tell the story you are attempting to relate.  End of story.

But, to take this a bit further.  To try and understand why someone should take pride in such an “accomplishment”, I will try and dig through this a bit.  What these folks are saying is that the bird or other creature is presented exactly as they were in the viewfinder of the camera at time of exposure.  One reason they take pride in this is that they were able to accomplish the final composition “in camera” and did not “recompose” in post-processing.  Okay, there may be something to be said for this, but I do not find it all that motivating.  I think boasts like this, as well as the fact that some can do it, says a couple of potential things about the person making the image.  One: they are likely able to afford long glass.  In the majority of cases they need a very long focal length to accomplish a final non-cropped image.  Or, two: they likely got too close to the animal being photographed.  Don’t get me wrong.  I think anyone who spends a considerable amount of time photographing wildlife – particularly birds, will get too close, or at least wonder if they are putting too much stress on their subject.  I know I have.  Having explored this a bit, I do not see a reason for the prideful boasts.

These same types will then exclaim that any photographer who must crop an image in post to make the final composition of a centralized subject (gasp!!) must then present it as a cropped image when exhibiting that photograph.  Once again, the concept of the photograph as the ultimate piece of the process makes me beg the question, why?  I think we are fortunate to live in this era of high-resolution.  Those of us who can’t or won’t afford to spend for the super-tele, super-fast glass now have the opportunity to make a worthwhile image by cropping as much as 75% of the captured image!  Of all the bird photos I have made, I estimate that I cropped 98% in post.  I typically shoot the bird using the center positioned AF point to maximize proper exposure and get the subject as sharp as possible.  I will then crop as the final action in my post work flow.  Usually, this is the first time I think about composition.  In the field tracking a wild bird you simply must grab the shot when the animal presents itself.  You cannot ask if it would please sit on the horizontal branch in the open with the bright red berries while showing us a particular side.  Well, I guess you can if you are one to use bait to draw in your subject, but that’s a subject of a different post…

Please forgive my boring rambling.  And please, do let me know if you have a dissenting opinion.  I would love to hear any other reasoning behind this line of thinking.

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“You Are What You Eat”

Technical details: Canon EOS 7D camera, EF500mm f/4.5L USM lens, ISO 640,  f/5.6, 1/1600 sec

Barred Owl

“On no subject are our ideas more warped and pitiable than on death.  Instead of the sympathy, the friendly union, of life and death so apparent in Nature, we are taught that death is an accident, a deplorable punishment for the oldest sin, the arch-enemy of life, etc.  Town children, especially, are steeped in this death orthodoxy, for the natural beauties of death are seldom seen or taught in towns.”

-John Muir-

“Barred Owl”

Technical details: Canon EOS 7D camera,  EF400mm f/5.6L USM lens, ISO 1000,  f/5.6, 1/250 sec

October’s Warmth

“We love to see any redness in the vegetation of the temperate zone. It is the color of colors. This plant speaks to our blood. It asks a bright sun on it to make it show to best advantage, and it must be seen at this season of the year.”

-Henry David Thoreau-

“October’s Warmth″
Technical details: Canon EOS 5D Mark II camera, EF70-200mm f/4L IS USM @ 135mm, ISO 160,  f/16, 10 sec

The Ozark Tree

While growing up in the inner St. Louis suburbs, I have relatively few memories of nature before entering my twenties.  One memory that particularly stands out is on a trip south seeing an Osage orange fruit for the first time.  Just what the heck was this strange fruit, so reminiscent of the cerebral cortex of the human brain?  Like so many ignorant of nature, I wondered what its purpose was and why it had to be so creepy.

Thirty years later I realized I still did not know much about this tree.  Sarah found this fruit on our trip through the Ozarks and I brought it back to make it the subject of this study.  The common name, “Osage orange” is rather self explanatory.  The name Osage comes from the Osage tribe that was historically found over much of Missouri and the fruit does resemble an orange, so commonly eaten.  I have since learned that the best adaptive story to explain such a large amount of flesh covering the hidden nut is that the primary disperser of these seeds were the Mastadons.  Following the disappearance of these large herbivores, humans became the primary dispersers of this species, planting these trees as windbreaks and fences.  The wood of these trees is some of the heaviest, densest and hardest in the Ozarks.  This fact plus the thorns on young branches made this the perfect species for such purposes.

The nature of this species wood also made them perfect for use in making bows by native Americans.  This fact prompted the French to name them “Bois d’Arc” or bowwood.  This name is the most favored in being responsible for the name “Ozarks” given to the hills and habitats of Missouri, Arkansas and surrounding states.  It is theorized that Bois d’Arc was bastardized to “Bodark”, and later to Ozarks by English settlers.  To my understanding, this cannot be proven, but is the best conjecture given by historians.  That is why I titled this post “The Ozark Tree”.

So, I brought this fruit home and took it out in the backyard and placed it among colorful white-oak leaves, a milkweed pod, Monarda seed heads, and a prairie dock leaf.  It is still siting in my backyard.  I want to see, if left alone to rot over winter, whether or not the seeds will germinate.

“Bois d’Arc″
Technical details: Canon EOS 5D Mark II camera, EF100mm f/2.8L Macro IS USM, ISO 160,  f/14, 1/6 sec

Mondays Are For The Birds – Golden Crowned Kinglet

“”In short, they who have not attended particularly to this subject are but little aware to what an extent quadrupeds and birds are employed, especially in the fall, in collecting, and so disseminating and planting, the seeds of trees.”

-Henry David Thoreau-

“Golden-crowned Kinglet”

Technical details: Canon EOS 7D camera,  EF400mm f/5.6L USM lens, ISO 640,  f/5.6, 1/250 sec

When the Maples Blaze

“I do not see what the Puritans did at this season, when the Maples blaze out in scarlet. They certainly could not have worshiped in groves then. Perhaps that is what they built meeting-houses and fenced them round with horse-sheds for.”

-Henry David Thoreau-

“When the Maples Blaze″
Technical details: Canon EOS 5D Mark II camera, EF100mm f/2.8L Macro IS USM, ISO 160,  f/16, 1.3 sec